Good Reads for Challenging Times

After each of my fellow IWSG Anthology authors were In the Spotlight over the last few months, our spokesperson Louise Barbour has initiated a new series of weekly posts.

First up, today’s post on the IWSG Anthology blog carries Louise’s wise words during the Covid-19 crisis, and her thoughts on her love of reading. Plus, some of the favourite Middle Grade reads of us Anthology authors.

https://iwsganthologies.blogspot.com/2020/04/good-reads-for-challenging-times.html?showComment=1585755390768#c6927858523071100169

#IWSG – To Read or Not To Read

Created  and hosted by the Ninja Captain himself, Alex J. Cavanaugh, theInsecure Writer’s Support Groupmonthly blog post is here again – and so am I, insecure, although a chunk less as I scheme ahead to NaNoWriMo.

Last month, I was meant to be submitting my Pitch Wars 2019 submission. The required query letter, one-page synopsis, and the first chapter of my completed manuscript seemed achievable by the September 25th-27th deadline. But I was unsure if I had a “completed and polished full-length, fiction manuscript”. I decided it was incomplete and ‘dusted’ more than ‘polished’.

So, what started as an insecure month, evolved into a decisive plan to revise ‘Fevered Few’. The short stories at its heart are becoming episodes and memories driving the main story. And I’m working on a new way to open this renewed novel, now called ‘Fevered Fuel’ and slated for its rewrite as my 2019 NaNoWriMo project.

Anyway, on to the IWSG monthly question.

October 2 question – It’s been said that the benefits of becoming a writer who does not read is that all your ideas are new and original. Everything you do is an extension of yourself, instead of a mixture of you and another author. On the other hand, how can you expect other people to want your writing, if you don’t enjoy reading? What are your thoughts?

Are any ideas new and original?

All writers borrow from others in some measure. Even Shakespeare borrowed – retold tales. Like others, he built on the past weavings of different storytellers – ancient Greek playwrights, medieval histories, and folklore. Can’t we do the same?

For me, reading is like settings and people – enjoyable fuel for the little grey cells.

All this feeds and inspires my writing about Detective Sparkle Anwyl of the North Wales Police/Heddlu Gogledd Cymru – and other scribblings and scratchings.

I’d like to believe Sparkle is unique, but I know she has loaned traits and actions from others. Perhaps, she will inspire someone herself.

*

The awesome co-hosts for the October 2 posting of the IWSG are Ronel Janse van Vuuren, Mary Aalgaard, Madeline Mora-Summonte, and Ellen @ The Cynical Sailor!

(I have to admit how much I admire these guys as I know they have commitments too – like Ronel’s recent release. Ticker-tape applause for all of them – plus toasts too.)

Purpose of IWSG: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say.

Posting: The first Wednesday of every month is officially Insecure Writer’s Support Group day. Post your thoughts on your own blog. Talk about your doubts and the fears you you have conquered. Discuss your struggles and triumphs. Offer a word of encouragement for others who are struggling. Visit others in the group and connect with your fellow writer – aim for a dozen new people each time – and return comments. This group is all about connecting!

Let’s rock the neurotic writing world!

Our Twitter handle is @TheIWSG and hashtag is #IWSG.

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 

Black Dove, White Raven – a review

After choosing Elizabeth Wein’s Code Name Verity as my top read in 2018, I have read – well, listened to two more of her novels on Audible. I was not disappointed.

After listening to The Pearl Thief, I moved on to another Elizabeth Wein novel – historical but not a mystery in the strict sense. I’m also reading her non-fiction account of Russian airwomen in WWII – A Thousand Sisters.

But let’s head to Ethiopia.

Black Dove, White Raven

By Elizabeth E. Wein

A story of survival, subterfuge, espionage, and identity.

Emilia and Teo’s lives changed in a fiery, terrifying instant when a bird strike brought down the plane their stunt pilot mothers were flying. Teo’s mother died immediately, but Em’s survived, determined to raise Teo according to his late mother’s wishes—in a place where he won’t be discriminated against because of the color of his skin. But in 1930s America, a white woman raising a black adoptive son alongside a white daughter is too often seen as a threat.

Seeking a home where her children won’t be held back by ethnicity or gender, Rhoda brings Em and Teo to Ethiopia, and all three fall in love with the beautiful, peaceful country. But that peace is shattered by the threat of war with Italy, and teenage Em and Teo are drawn into the conflict. Will their devotion to their country, its culture and people, and each other be their downfall or their salvation?

In the tradition of her award-winning and bestselling Code Name Verity, Elizabeth Wein brings us another thrilling and deeply affecting novel that explores the bonds of friendship, the resilience of young pilots, and the strength of the human spirit.

Review 4.4 stars

After I was bowled over by the brilliance of Elizabeth Wein’s Code Name Verity, I had to read another of Wein’s novels – and was not disappointed. Black Dove, White Raven was another enjoyable tale, sympathetically narrated by Lauren Saunders and Maanuv Thiara.

Flying is a major thread to the novel and the author captures that – not surprising for a writer with a private pilot’s licence; and I’m already engrossed in her non-fiction book about Soviet airwomen in WWII.

However, at the heart of the story is the unfolding lives of best friends, Em and Teo brought up together after Teo’s mother Delia dies when the plane their stunt pilot mothers – Black Dove & White Raven – were flying crashes. Em’s mother Rhoda survives and takes the children to Ethiopia away from the prejudice of 1930s America. Delia dreamt of going to the country as Teo’s late father was from there.

Weing vividly portrays the attitudes towards a white woman with her own white daughter and an adopted black son in the USA and in Ethiopia. The latter might seem more accepting but has other issues being addressed – an added challenge for Rhoda and Em’s Quaker upbringing – and the reader is confronted with these through the eyes of the kids as they become teens.

The children adopt their mother’s stunt names for the characters in the stories they create. These fantasy tales become the basis of their diaries which form the structure of the novel, alternating from Em to Teo and back. When they start to fly as passengers then pilots, the POVs take on the form of flight logs as well as diary entries. But they are never dry, instead each adds to the characterisation of the siblings.

Wein cleverly weaves other details into these accounts, so the reader/listener learns about Ethiopia as Rhoda and her family do. I knew a bit about the country and its history, but this novel added to my knowledge – the author does comprehensive research for her novels.

Alongside Em and Teo, the reader is given a complex portrait of Rhoda, who must adapt to raising her late friend’s son alongside her daughter in a new country with fresh challenges. Rhoda is forced to juggle everything to keep the family together and safe. The supporting characters, from the Ethiopians on the coffee farm and in the towns to the Italians like Em’s father, are well portrayed.

While Em discovers her background early in her life, she doesn’t meet her Italian father until she is older. Teo is also confronted with his Ethiopian parentage as the family unravels the mystery of the country – and the ties to the man his uncle works for. This discovery adds tension and intrigue that keeps the tale moving. Although Teo finds some resolution, the ending left me wanting more answered.

But this is the brink of the Second World War, so everything is becoming uncertain. Perhaps there will be a sequel with Em and Teo.

Ethiopia was one of the tragic prequels to WWII. Everyone is becoming aware of the Italian military on the borders. Mussolini has ambitions. Fascism is on the rise and war seems inevitable. This impacts on the lives of Rhoda, the teens and the people around them.

Which side will Rhoda choose? Has she a choice? Can the under-dogs soar above the war? The author paints a contrast between the relative idylls of the early years in Ethiopia and the country and lives torn about by the conflict. However, relative idylls as there are hints and future tensions in those quieter years.

Black Dove, White Raven was not up there with Code Name Verity as there are moments where the tension dips, and the tale drags. In part perhaps because of the diary approach, in part from having two calendars – the Gregorian and the Ethiopian one – for every chapter, and from the extended timeline – linear and tied to real events. And the ending left unanswered questions.

But still this earns four stars and was a good listen. On to another engrossing Wein book.

Story – four stars

Setting/World-building – five stars

Characters – four stars

Authenticity – five stars

Structure – four stars

Narration – five stars

Editing – four stars

Ninth Step Station – a review

My third ‘cloak and dagger’ read of 2019 was a new approach for me – serialized fiction released in episodes week after week. The publishers, Serial Box offered me an ARC as I had read and reviewed a novel by one of the four writers, back in September 2017: Ascension by Jacqueline Koyanagi. I am grateful and glad I agreed to read the ARC for Season 1 of Ninth Step Station.

Ninth Step Station: The Complete Season 1

(Ninth Step Station Series #1.1-1.10)

by

Malka Ann Older (Goodreads Author), Fran Wilde (Goodreads Author), Jacqueline Koyanagi (Goodreads Author), Curtis C. Chen (Goodreads Author)

A local cop. A US Peacekeeper. A divided Tokyo.

Years of disaster and conflict have left Tokyo split between great powers. 

In the city of drone-enforced borders, body-mod black markets, and desperate resistance movements, US peacekeeper Emma Higashi is assigned to partner with Tokyo Metropolitan Police Detective Miyako Koreda.

Together, they must race to solve a series of murders that test their relationship and threaten to overturn the balance of global power. And amid the chaos, they each need to decide what they are willing to do for peace.

Review 4.4 stars

I was pleased to receive this serialised fiction as an ARC from Serial Box Publishing as it was an exciting read.

This police procedural set in a near future Tokyo consists of ten engrossing episodes written by different authors, including at least one, Jacqueline Koyanagi whose debut novel I’ve read and reviewed.

The style is reminiscent of US crime series, but with its own interesting approach as the sense of an imminent future pervades but doesn’t take over the plots. This could be ‘tomorrow’ with China occupying part of Japan and a sector of Tokyo, and with the US playing what is meant to be peacekeeper. Ninth Step Station has some fascinating characters, interesting plots, futuristic tech and very real political intrigue.

US peacekeeper Emma Higashi (Japanese-American) is assigned to partner with Tokyo Metropolitan Police Detective Miyako Koreda at Nine Step Station, one of the key TMP stations. The cases they are tasked with solving are standalone, but there are overarching events that carry through the novel/series with the usual TV-style cliff-hanger to lead into Series 2.

The crimes in the ten episodes vary from suspected suicide and domestic violence to assassination and terrorism with differing levels of technological involvement such as body-mods, drones, data mining, and data sleeves – all realistic evolutions of existing tech. The data sleeves especially play a key role in enabling people to instantly communicate and interface – although this is also a city troubled by regular power-cuts/blackouts. However, the war and the gangs/Yakuza make solving crimes challenging with some data irretrievable and some information obscured by human evasiveness.

Each of the writers gives an individual feel to each episode, yet together they create a seamless story with consistent and evolving characters, a realistic-feeling Tokyo post-occupation and those building overarching events. The TV-style structure means the episodes are formula to some degree, but they are enjoyable – although not as complex as some mysteries I read.

Both the two main characters and the supporting players are distinctly portrayed, and there are developing attributes and discoveries as the episodes unfold. The misunderstanding and conflicts arising between the two protagonists due to cultural differences, personal secrets and political agendas create a more complex relationship than an instant crime-fighting partnership and that relationship has room to grow. I was also pleased to see that the issues of gender bias and sexuality were addressed – although not as suspected.

Not knowing Tokyo, I assume that the world-building does build on the present city, although I realise that the format only allows the setting to receive less attention than the stand-out characters who are what will pull me back here.

I look forward to the sequel as there is plenty to build on in Ninth Step Station.

Story – four stars

Setting/World-building – four stars

Authenticity – four stars

Characters – five stars

Structure – four stars

Readability – five stars

Editing – five stars

The Seven Deaths of Evelyn Hardcastle – a review

As intended, my reading in 2019 is leaning towards mysteries and crime – although there will be a few other genres to break the pattern a little. This mystery read is one of the stranger entries, but still highly enjoyable.

The Seven Deaths of Evelyn Hardcastle

by

Stuart Turton (Goodreads Author)

The Rules of Blackheath

Evelyn Hardcastle will be murdered at 11:00 p.m. 

There are eight days, and eight witnesses for you to inhabit. 

We will only let you escape once you tell us the name of the killer. 

Understood? Then let’s begin…


Evelyn Hardcastle will die. Every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. And some of his hosts are more helpful than others…

The most inventive debut of the year twists together a mystery of such unexpected creativity it will leave readers guessing until the very last page.

            Review 4.7 stars

This was a ‘must buy’ from the blurb and from reviewers I follow – and I was not disappointed to bump this ahead of other books.

Lost in a forest and unsure who he is, not recognising his body or exactly what’s going on, is where the protagonist and the reader find themselves. An opening that enticed me in as I discovered where ‘I’ was and why – well, not exactly. At first, we meet the first host body for the first-person protagonist that needs to identify the killer of Evelyn Hardcastle to break a cycle that he has become trapped in.

This is Groundhog Day meets Cluedo with Agatha Christie pulling the strings of a cast that echoes the Golden Age of Mystery. Except this world feels darker with death not limited to one-time only. Although the mystery elements are classic and the basic plot may seem easily solved by some readers, it is not the mystery that makes this novel, but the intricacies caused by a repeating day with the hosts and other players evolving with the unravelling of the secrets.  

This is the mysterious world that is Blackheath, a crumbling country house with characters hiding as many secrets as the plot. Everyone seems to be guilty of something or hiding their past. The faded grandeur was evocatively described in a language smeared with decay and dread. A mystery convention twisted by the theme. This was a house of layers that Aiden had to uncover with his host bodies.

Host bodies that added their own idiosyncrasies to the investigation. He must work with their limitations such as ageing bodies or their own agendas. This is no simple body-hopping as he must pull their minds to his task – or in some cases use their own intelligence. And as he hops there are dangers from shadowy antagonists to losing his mind to his host’s.

Each character is distinct especially the hosts, whom the reader gets to experience from their perspective and Aiden’s – in a clever way…without spoiling the gameplay. Full marks to the author for painting such amazing portraits and evolving their behaviour as the day repeats. Some seem to be tortured by their own actions – their consciences perhaps.

I’m trying to avoid spoilers so I’m sounding as devious as the author. There are clever twists to catch out everyone – even readers, even if some are ahead of the game. But I was surprised although I had my suspects. With a sprinkling of clues – and red herrings – to mystify hosts and readers, I enjoyed the ingenious plotting that must have taken a wall of sticky notes. The author’s notes clarify the process and added to my admiration.

My only minor quibbles were ‘shooting’ described as ‘hunting’ – I come from a shooting-hunting country house background – and a few unnecessary dialogue tags where the speaker was obvious.

The ending was unexpectedly artful with even ‘the puppet master’ stunned. After reading this novel, I’d recommend this to mystery readers looking for something different from the norm and open to other genre elements sneaking in. Or are you afraid of getting trapped re-reading this tome?

Story – five stars

Setting/World-building – five stars

Authenticity – four stars

Characters – five stars

Structure – five stars

Readability – four stars

Editing – five stars

2018 Reads and Beyond

As a writer, reading is an important part of the process. Reading teaches me many writing lessons while entertaining me. I hope that it’s making me a better writer.

Inspired by some of the writers and readers that I follow, here is my 2018 reading list and top books of the year. Most were not published in 2018, but that’s when I read them so that’s what counts.

First, the list as I reviewed them – with links:

Avalanche (A Stone Mountain Mystery #3) by Kristina Stanley – 5 stars

The Warrior’s Path (When Women Were Warriors #1) by Catherine M. Wilson – 5 stars

For The Winner (Golden Apple Trilogy #2) by Emily Hauser (Goodreads Author) – 5 stars

A Journey of the Heart (When Women Were Warriors #2) by Catherine M. Wilson – 5 stars

A Hero’s Tale (When Women Were Warriors #3) by Catherine M. Wilson – 5 stars

Death in Dulwich (London Murder Mystery #1) by Alice Castle – 4.7 stars

Apricots and Wolfsbane by K.M. Pohlkamp – 4.9 stars

Air and Ash (TIDES #1) by Alex Lidell – 4.3 stars

The Shepherdess of Siena by Linda Lafferty – 4.3 stars

The Last Wish (Saga o Wiedźminie #1) by Andrzej Sapkowski – 5 stars

Lord of the Flies by William Golding – 4.5 stars

The Secret Keeper by Kate Morton – 5+ stars

The Lion, the Witch and the Wardrobe (The Chronicles of Narnia) by C.S. Lewis – 4.4 stars

The Curious Case of Benjamin Button by F. Scott Fitzgerald – 4.3 stars

Sword of Destiny (Saga o Wiedźminie #2) by Andrzej Sapkowski – 5 stars

Look the Other Way by Kristina Stanley – 4.6 stars

The Death of Mrs. Westaway by Ruth Ware – 5 stars

Never on Saturday by Sue Barnard – 4.4 stars

Heathcliff: The Unanswered Questions Finally Answered? by Sue Barnard – 4.4 stars

Horsemanship by Gina McKnight (Editor) – 5 stars

Mr Churchill’s Secretary (Maggie Hope Mystery #1) by Susan Elia MacNeal – 3.7 stars

The Strange Death of Fiona Griffiths (Fiona Griffiths #3) by Harry Bingham – 5 stars

Code Name Verity (Code Name Verity #1) by Elizabeth E. Wein – 5+ stars

Joseph Barnaby by Susan Roebuck – 4.6 stars

Method Acting For Writers: Learn Deep Point Of View Using Emotional Layers by

Lisa Hall-Wilson – 5 stars

The Ragged Edge of Night by Olivia Hawker – 5 stars

What Child Is This by Rhys Bowen – 5 stars

Eadric And The Wolves: A Novel Of The Danish Conquest Of England by David K. Mullaly – 4 stars

I’ve missed a few books – the Children’s ones – but these are the majority. On reflection, there are more five stars awarded than memorable books, and I’ve tended to be unfair to the authors I interact with. Why? Reverse favouritism?

Anyway, thinking back over the year and looking for memorable reads, here’s my top three for each of the genres that I lean towards:

Thrillers- Mystery- Suspense-Crime:
The Secret Keeper by Kate Morton – 5+ stars

The Strange Death of Fiona Griffiths (Fiona Griffiths #3) by Harry Bingham – 5 stars

Avalanche (A Stone Mountain Mystery #3) by Kristina Stanley – 5 stars

Fantasy:
The Warrior’s Path (When Women Were Warriors #1) by Catherine M. Wilson – 5 stars

The Last Wish (Saga o Wiedźminie #1) by Andrzej Sapkowski – 5 stars

For The Winner (Golden Apple Trilogy #2) by Emily Hauser (Goodreads Author) – 5 stars


Historical Fiction:

Code Name Verity (Code Name Verity #1) by Elizabeth E. Wein – 5+ stars

The Ragged Edge of Night by Olivia Hawker – 5 stars

Apricots and Wolfsbane by K.M. Pohlkamp – 4.9 stars


Some of these cross genres and showed that is achievable seamlessly. These lists lead into my top five reads of 2018 – well fiction reads – in order.

Top Five Reads of 2018
1.             Code Name Verity (Code Name Verity #1) by Elizabeth E. Wein – 5+ stars

2.            The Secret Keeper by Kate Morton – 5+ stars

3.            The Warrior’s Path (When Women Were Warriors #1) by Catherine M. Wilson – 5 stars

4.            The Strange Death of Fiona Griffiths (Fiona Griffiths #3) by Harry Bingham – 5 stars

5.            Avalanche (A Stone Mountain Mystery #3) by Kristina Stanley – 5 stars

Top Non-fiction has to be my ‘desk-bible’ – Method Acting For Writers: Learn Deep Point Of View Using Emotional Layers by Lisa Hall-Wilson. By the use it has already got, that 5 stars rating is low.

Keeping track of my reading has been my Goodreads account. I’ve now taken part in the Goodreads Reading Challenge for the last three years and passed my modest goal each year. I set the bar low as there are days when I struggle to read more than a few pages; not because the books are bad but because of health issues.

In 2018, I read 45 books and passed my target of 3o – call that figure 42 as three books got counted twice. Only 28 got reviewed – as above – but Goodreads did keep tally so I must have some reviews outstanding.

However, despite reading 41 books in 2017, I have kept my goal for 2019 low at 35. I am ahead as I type this, but I’m now reading a chunky 500-page book.

In my next Book Review post, I will list some of the books that I plan to read – with another Challenge as the target.