Gossamer Flames


Gossamer Flames” is a series of short stories and novellas set in the post-apocalyptic world that arises after a catastrophic event leaves the planet ravaged and divided. Society is forced to adapt to a changed world where the surviving enclaves need to make use of their remaining resources. Only two regions are known to survive, Bhārata, formerly the Indian sub-continent, and The Country, comprising parts of Scandinavia. However, there are pockets of survivors in other areas, including within the desert areas of North America, in some remote mountainous regions of the Andes, and on some islands. Most of these are totally isolated from each other post the apocalypse.

The two principal enclaves of The Country (Scandinavia) and Bhārata (India sub-continent) have adopted economies that are regenerative and structured around renewable energy. Bhārata has the advantage of being built on the Republic of India’s self-reliance policy, although it is also hampered by the scale of the challenge. In The Country myths have come alive again and permeate society, but not all the forces favour re-building the world. The Ravagers, the people that pushed the technological fixes and exploitation of the Earth, are committed to destroying the greenpunk solutions that could be the future.

My 2014 posts in the Blogging from A to Z April Challenge focused on various aspects in this future world, which at that point was still called “Gossamer Steel”, as in the Massive Multiplayer Online Role-Playing Game (MMORPG) that provides the mystery in my cyber-crime novel “Wyrm Bait”. In the MMORPG the two main playing zones are Bhārata and The Country and the game touches on aspects of the tales.


A is for Array ~ B is for the Blood-Marked ~ C is for Corylus Avellana ~ D is for Duskweald ~ E is for Energy ~ F is for Feeniks ~ G is for Garuda ~ H is for Herders ~ I is for Ithaka ~ J is for Junk ~ K is for Kitsune ~ L is for Lorelei ~ M is for Mojave ~ N is for Native~ O is for Outcasts  ~ P is for Punk ~ Q is for Quisling ~ R is for Ragnarök ~ S is for Seiðr ~ T is for Technology ~ U is for Urdu~ V is for Vidda ~ W is for Windsong ~X is for Xerarch ~ Y is for Yggdrasil  ~ Z is for Zephyr

Dewy Cobweb ~ by Norman Hyett

Dewy Cobweb ~ by Norman Hyett

Although “Gossamer Steel” had a good ring as a game, I felt that I needed a different title for the series of tales. An author needs a title that doesn’t require explaining, just one that sparks interest. I suggested various options to my followers, and after assessing your feedback, Gossamer Flames seemed the most appropriate and the most popular. Warning – explanation ahead!!

Gossamer as in spider silk that makes such intricate webs, although technically gossamer is the silk used by spiderlings for ballooning or kiting to reach other locations. Spiders are often among the first inhabitants to recolonize a devastated area. Thus after an apocalypse Gossamer allows for new life and in my stories it also reflects the light touch of healing the planet. However, spider silk is both delicate and strong, exhibiting a unique combination of high tensile strength and extensibility. Most important, weight for weight, spider silk is stronger than steel, thus a force that cannot be ignored even amid the harshness of industrial solutions to the devastating problems remaining. Steel then is a contrast to Gossamer but I needed something even more evocative, hence ‘Flames’.

Flames have multiple meanings as in energy and passion as well as the destructive sense.  Flames can also generate ‘steam’, which covers the ‘Steampunk’ elements in some of the tales. Flames can be both the devastating forces that threaten the world from the outset, and the passions that drive many of the characters forward towards the Renascence at the end.


As my Gossamer Flames tales are released, I will post more details here.


32 thoughts on “Gossamer Flames

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  8. I like the concept of this world a lot and I really love the way you work symbolisms in. That’s something I like to do in my writing too… even when I know that reader will probably never see it. After all, I think speculative fiction is all a huge symbolism of how life really is 🙂


    • I feel that symbolism often works on a subliminal level. So even if the readers fail to see it, the symbols are so rooted in our psyche and culture that they can still work. Also I enjoy working them in – as you do with your jewellery… like the Spiral.


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