Cunning Plan or Devious Plot?

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Time to look ahead and maybe concoct something. Now seeing that this is the UK and November 5th is creeping up on us, I was thinking something explosive and controversial. Fireworks?

Well there was a devious plot on 5 November 1605 that might have made headlines, if it was successful. But now it is remembered in a different way than intended. But what would have happened if Guido had succeeded?

On a serious note, our animals would be better off.

However my November is more likely to be more of “I have a cunning plan” – if all unfolds as intended. No I don’t mean the proposed return of ‘Blackadder’, although that could be more than cunning. What do you think??

Baldrick

Individual screenshots, copyright held by the BBC

No, I mean NaNoWriMo and my chance to recreate “Fates Maelstrom” with my female Goth detective and in Snowdonia. I’ve almost finished the new character profiles and interviews, and there is a new detailed outline – a devious plot that Guido might approve of, and even a cunning plan that Baldrick couldn’t disagree with. And I have a blurb:

“Did Twyla Locke kill her wealthy English grandfather? Is the nineteen-year-old gypsy woman a schizophrenic liar that could kill again? Or is someone impersonating her, in an attempt to destroy her dreams?

Detective Constable Sparkle Anwyl believes the Romani girl is innocent, but her superior, Detective Sergeant Mal Sumnor, thinks that the forensic evidence against her is overwhelming. Why should he believe his offbeat Goth junior? She’s only needed as she understands Romani.

Then American investigative journalist, Brogan Keyes, produces photos that prove Twyla’s innocence. But why is he in the Welsh village of Craig-o-Niwl? Who is he? What is he hiding?

Sometimes the truth can lie hidden in the past, and some ghosts wield power in vulnerable minds. And some people have reasons to fear buried secrets.”

Although I am hoping that my preparations help me in November, I wonder if I can write 50,000 words in a month. Okay, I did in 2011, 2012, and 2013, but last year was a total zero. In 2014 I intended to write “Fates Maelstrom” Mark II but my total was zilch…nada. Perhaps because I hadn’t got my head around Sparkle Anwyl, or because my health intervened. Having just written 43,639 words in 100days – the 100k in 100 days Challenge – I know my limits, although that was all done ‘pantster’ style.

Or is the secret in the planning stage?

There are some good guides to that stage out there, like this one by Janice Hardy, who says for instance:

“If you like to outline, you might break down your 12,500 words into chapters to get a feel for pacing and structure. To hit your 50K-word mark, you’ll need to write 1667 words a day, so let’s say you’re aiming for a chapter a day. That would give you 30 chapters at the end of the month, a reasonable amount for your average 60-80K novel.”

So what’s my problem? Did Guido achieve anything? Would Baldrick do better?

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A New Library In Town: One Stop For Writers

If there’s one thing all writers agree on, it’s that writing is TOUGH. The road to publication twists and dips as we learn the craft, hone our abilities, create stories we’re passionate about, fight discouragement, educate ourselves about the industry…and then start the process all over again as we realize there’s room to improve. But you know what? If you are like me, you wouldn’t have it any other way.

Yet, sometimes it’s nice to get a helping hand.

Finding a good writing book, a helpful blog, a mentor or critique partner to share the journey with…these things are gems along the writing path.

And guess what? Maybe there’s another resource waiting just up the road called One Stop For Writers.

One Stop For Writers is not writing software, but rather a powerful online library that contains tools, unique description collections, helpful tutorials and much more, brought to you by Angela Ackerman & Becca Puglisi, the authors of The Emotion Thesaurus and Lee Powell, the creator of Scrivener for Windows.

Could One Stop For Writers be the writing partner you’ve been searching for? Visit Writers Helping Writers this week (October 7th-14th) and see, where Angela, Lee and Becca are celebrating their venture with prizes and some pay-it-forward fun.

 

Critique partners and Beta-readers

InsecureWritersSupportGroup2This post arose because I have just given my first critique for a fellow writer in the Insecure Writers Support Group’s Critique Circle on Facebook. And it is the first Wednesday of October, so this is my IWSG monthly post.

I felt that it was the perfect time to look at what the experts had to say about the critique process. So where better than starting with a useful post at IWSG on what to look for in a critique partner:

“The manuscript is polished – huzzah! Time for another set of eyes to look at it.

Beta readers/test readers are often those who are just readers of our genre. They’re great for spotting flaws in the story. But we also need skilled writers to go over the manuscript and examine the plot, the character arc, the grammar, the structure, etc. Enter–critique partners.

What should we look for in a good critique partner?”

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So what should we be asking our critique partners? Well there various questions, and here are the ones that K.M Weiland suggests:

1. Is anything confusing?

2. Are any scenes boring or repetitious?

3. Do you spot any general tics (repeated words, etc.)?

4. Do you spot any confusing plot points (let me know when and where I lose you and what needs to be clarified)?

5. Does the opening grab you?

6. Is there an appropriate balance of action with the other subplots?”

These are just the ones that she asks before the crit. partner reads the manuscript, but she has others.

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There is an overlap in what one expects from beta readers and crit. partners, and Margaret Yang gives in an insight into her experiences at Jade Varden’s instructive website.

Of course we have to remember to treat our readers with respect. As Michael Kinn points out at Janice Hardy’s Fiction Workshop, there is etiquette involved:

“As beta readers we can all do with some critiquette to guide our feedback to the (hopefully) well-polished drafts writers send us. The seasoned beta reader will find out what type of critique the writer is looking for, shun infeasible turn-around promises and warn the writer of any delays. Of course, beta readers should always offer candid feedback and treat the writer with respect. These are sound rules for critiquing. But in guiding my own critiques, I try to let one piece of advice rule them all…”

How to Serve and Swallow Criticism’ is an art in itself, which Kristan Hoffman describes at Writers Unboxed. However, there may be reasons to ignore some of the advice from our critique groups, as Anne R. Allen explains, but with qualifications.

Those are some of the expert opinions, though not all by a long way. I have my own experiences, but, although I did belong to a writers group, I’m still near the beginning of my critique path. I tend to mix the praise with the constructive criticism. I also aim to not sit on manuscripts for ages, but realise that there are some busy readers out there.

UPDATE: Good guide to “How to Critique Fiction” by Victory Crayne at: http://www.crayne.com/howcrit.html 

What is your advice?

Image courtesy of FreeDigitalPhotos.net

Image courtesy of FreeDigitalPhotos.net

***

Some of you might have noticed that I missed yesterday’s post. Or you think this has combined the two posts? Well, I did think that I could count this one twice. Dang, I could have posted it yesterday, then tweaked it for today. What a missed opportunity. Would anyone have noticed?

In fact, there will be another post this week as I will be posting about the launch of One Stop For Writers, which launches tomorrow October 7th

***

The first Wednesday of every month is officially Insecure Writer’s Support Group day. We post our thoughts on our own blogs. We talk about our doubts and the fears we have conquered. We discuss our struggles and triumphs. We offer a word of encouragement for others who are struggling.

Please visit others in the group and connect with other writers – aim for a dozen new people each time. 

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Let’s rock the neurotic writing world!

Our Twitter hashtag is #IWSG

And be sure to check out our Facebook group – https://www.facebook.com/groups/IWSG13/

We also have a t-shirt now! You can purchase it here – http://www.neatoshop.com/product/IWSG

The awesome co-hosts for the October 7 posting of the IWSG are TB Markinson,Tamara Narayan, Shannon Lawrence, Stephanie Faris, and Eva E. Solar! 

Would YOU miss me?

From DeviantArt. For if one link in nature's chain might be lost, another might be lost, until the whole of things will vanish by piecemeal.

From DeviantArt. For if one link in nature’s chain might be lost, another might be lost, until the whole of things will vanish by piecemeal.

Or rather would you miss my weekly blog posts? I was trying to think of something worthwhile to blog about, but kept rejecting the crass ideas.

Who wants to read about “A World without Shakespeare”?

Why pose the question “What sort of heroine rules your mind?” in any genre?

What is the point of musing about “Autumn Fruitfulness” if it’s not the “Colours of Fall”?

My inspirational “The Difference between Critique and Beta Readers” will be next Wednesday’s IWSG monthly post.

So I reached the conclusion that I wouldn’t write anything, and then see whether anyone noticed. Shtako! I’ve written something after all.

But what next?

What lines set you alight?

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I was going to blog about ‘A world without William Shakespeare’ but the prospect was too horrendous – even if Christopher Marlowe hadn’t been killed so young.

Did that line grab you, or turn you livid with anger?

How important to you is the first line of a book? I admit there have been some great ones. My favourites, and I read these decades ago, are:

There was a boy called Eustace Clarence Scrubb, and he almost deserved it. — C. S. Lewis, The Voyage of the Dawn Treader (1952)

It was a bright cold day in April, and the clocks were striking thirteen. – George Orwell, 1984 (1949)

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But such lists are open to debate, and trying to pick favorites can be a challenge.

Getting that opening right, finding the right words, choosing the moment to start that is the question. Whether ’tis nobler in the mind to suffer – that’s wrong, although as writers we can suffer.

At the moment, my mind is on openings, partly as I have taken on some beta reading, but also as I am struggling with my own opening line:

“Their eyes stared at Twyla without emotion and followed every move that she made up or down the stairs.”

The real question is – what makes you read on? The opening line or paragraph? The cover and blurb? Reviews?

I can remember days past when I went into a bricks & mortar bookshop and flicked through real books. Aah that smell. I started with the cover and blurb, then sampled the opening, and even flicked further on. Harder of course with e-books, but sampling is an option so I read as far as I can. To me a novel is more than a memorable first line.

Do we stop at “Who’s there?” or tarry longer with the Groundlings?

So what hooks you? What is your favourite opening? Can you envisage no Shakespeare?

Midnight Hamlet at The Globe by TheFella on Flickr

Midnight Hamlet at The Globe by TheFella on Flickr

Why the Delays? Is it the weather?

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I should put this off given the title of this post. But as the date is September 2nd and the first Wednesday of the month, it’s officially Insecure Writer’s Support Group day.

August has been a month of delays, but I can’t blame snow on the tracks, or leaves. But the weather or at least the distractions of summer might have played a part.

I admit that I didn’t give my beta readers a deadline for when their comments on “Storms Compass” were needed. And I forgot that the summer is filled with distractions, from holidays, tasty BBQs, and back-to-back horse shows. So a week ago I gave my readers until September 17th, and even told those that I knew were tied up, the option of asking for longer. Now I just wait a few more weeks.

Not sure whether my brother has an excuse for moving the deadline over agreeing to help with my bridging loan to get to the USA. But that decision is being delayed as well, even though I now have the go-ahead for the next stage – the medical.

Any more delays?

Well I have to stick up my hand and admit the character profiles for “Fates Maelstrom” are delayed while I distract myself in some future world.

But isn’t that the fault of summer? Do you blame me?

*

The first Wednesday of every month is officially Insecure Writer’s Support Group day. We post our thoughts on our own blogs. We talk about our doubts and the fears we have conquered. We discuss our struggles and triumphs. We offer a word of encouragement for others who are struggling.

Please visit others in the group and connect with other writers – aim for a dozen new people each time. 

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Let’s rock the neurotic writing world!

Our Twitter hashtag is #IWSG

And be sure to check out our Facebook group – https://www.facebook.com/groups/IWSG13/

We also have a t-shirt now! You can purchase it here – http://www.neatoshop.com/product/IWSG

The awesome co-hosts for the September 2 posting of the IWSG are Julie Flanders,Murees Dupé, Dolorah at Book Lover, Christine Rains, and Heather Gardner!