The Secret Keeper – a review

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How many books deserve a re-read as soon as we turn the last page? Today’s review is one of those wonderful gems that encouraged me to re-indulge by reading large sections throughout and to see and smile at how cleverly the tapestry was crafted.

The Secret Keeper

by

Kate Morton (Goodreads Author)

During a summer party at the family farm in the English countryside, sixteen-year-old Laurel Nicolson has escaped to her childhood tree house and is happily dreaming of the future. She spies a stranger coming up the long road to the farm and watches as her mother speaks to him. Before the afternoon is over, Laurel will witness a shocking crime. A crime that challenges everything she knows about her family and especially her mother, Dorothy—her vivacious, loving, nearly perfect mother.

Now, fifty years later, Laurel is a successful and well-regarded actress living in London. The family is gathering at Greenacres farm for Dorothy’s ninetieth birthday. Realizing that this may be her last chance, Laurel searches for answers to the questions that still haunt her from that long-ago day, answers that can only be found in Dorothy’s past.

Dorothy’s story takes the reader from pre–WWII England through the blitz, to the ’60s and beyond. It is the secret history of three strangers from vastly different worlds—Dorothy, Vivien, and Jimmy—who meet by chance in wartime London and whose lives are forever entwined. The Secret Keeper explores longings and dreams and the unexpected consequences they sometimes bring. It is an unforgettable story of lovers and friends, deception and passion that is told—in Morton’s signature style—against a backdrop of events that changed the world.

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Review 5+ stars

The blurb and other reviews for The Secret Keeper hooked me, and I am so grateful as this novel is an amazing read – deserving more than five stars.

When sixteen-year-old Laurel Nicolson glimpses her mother, Dorothy assault a man in self-defence, the act seems justified and she hides the memory. Thus, the secrets begin – or do they? That is one of the brilliant elements of this novel as there is not just one secret but many, inter-twined over the decades from before Laurel was born. Perhaps, there is more than one Secret Keeper.

Fifty-two years later, as Dorothy is dying, the Nicolson children gather to celebrate her ninetieth birthday, and the discovery of a photograph from WWII of Ma with another young woman poses questions about their mother’s past as the other woman is a stranger from her unspoken wartime experiences. Yet the woman’s name feels familiar to Laurel, except it is only in the end that she realises why.

‘Not about Ma, I mean that young woman. She was a different person back then, with a whole other life we know nothing about.’

Laurel is now sixty-six and a much-loved actress, and she uses her abilities and resources to discover more about her mother’s past. It was great to have this older main protagonist with all her evolving attitudes, memories and experiences – not just in 2011, but when she was much younger as well. And the reader is treated to some distinctive characters in the various periods, notably the 1940s and the present day [2011]. Each one has a unique voice and that memorable feature that fixes them in a reader’s mind.

The language feels correct for the various periods as do the settings from fashion and music to the gap between rich and poor. For me, growing up in the 50s and 60s the scenes in those period stirred so many memories. The research seems to have been meticulous at every turn – many of the sources are noted in the acknowledgements.

As the past is gradually revealed, the reader discovers more through Dorothy’s eyes, and Laurel’s discoveries uncover secrets. Kate Morton makes clever use of memories – memories that change over time, memories that are interpretations of events, and memories that spark a wave of emotions.

As a crime novel reader, I know how personal observation can be faulty. Who is Dorothy? Does that depend on who is digging? Who knows what happened? As I kept reading, I learnt about secrets, misunderstandings, and dreams all conspiring as fate propelled events. There were moments when I thought that I had sussed everything out – wrong. The author did a masterly job of weaving an intricate tapestry of events with revelations that kept skewing the plot.

Although Laurel and Dorothy are central to the drama, with some excellent secondary characters, there is a strong feeling throughout that family is everything – from the Nicolson children to the families lost in the Blitz.

Loss is something that many of the characters face. There are poignant moments that becomes memories, beautifully described, especially through childhood eyes. With both Dorothy and Vivien, we get contrasting memories and reactions to events, yet they have experiences in common – and they have secrets. As does Laurel whose own observations have informed her as an actress who can empathise – as the reader does.

‘Laurel knew quite a bit about keeping secrets. She also knew that was where the real people were found, hiding behind their black spots.’

Laurel finds those real people and learns some amazing truths behind the secrets. When I reached The End, I could see the tapestry, but I had to read every key paragraph and chapter again. That re-read was as magical, especially as I could now see the pieces slotting smoothly into place – and hiding the black spots and secrets.

The Secret Keeper is an amazing novel with so many clever twists – a masterful five star plus read.

Story – five stars

Setting/World-building – five stars

Authenticity – five stars

Characters – five stars

Structure – five stars

Readability – five stars

Editing – five stars

 

#TheIWSG Titles or Names?

Insecure Writers Support Group Badge

 

The months seem to be flashing by in leaping bounces. Is that the result of spring in the air, or the pull of summer? Whatever the reason, it’s time for another Insecure Writer’s Support Group monthly blog post and my latest attempt to write to the IWSG voluntary prompt:

June 6 question – What’s harder for you to come up with, book titles or character names?

The answer is that I’ve never pondered this too much. So far, the titles of my novels/WIPs seem to have come in a flash during plotting. Whether they are any good remains open to debate. Finding titles for my short stories has been harder, but nothing too taxing as the right title emerges before THE END draft one.

Character names require more extensive work as I like to research the meaning of names. Most of my characters have names that have an appropriate meaning, so there have been cases when I found something better. As with the detective protagonist in Fates Maelstrom, who went from Sparkle Morgan to Sparkle Anwyl. Sometimes the name change is to avoid confusion with another character, or because their nature changes.

So, character names must be harder.

That should be the post, except I’m having a meltdown. Why?

I’ve been focused on writing reviews, and these are making me insecure – well, reading great books might be invaluable, but… I’m committing a cardinal sin and judging my own ability by them. They give me ideas – like the bookend structure of The Last Wish – but I can’t hope to write as well as these masters of the craft. (Watch out for tomorrow’s review when I assess another five-star book.)

Is it time to just read and dream?

I’ve already lost my ability to take photos as my hands shake like a tree in the wind. Writing gets harder as my brain fogs and my thoughts jumble.

Or am I only achieving if I keep scribbling creatively?

 

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 The awesome co-hosts for the June 6 posting of the IWSG are Beverly Stowe McClure, Tyrean Martinson, Tonja Drecker, and Ellen @ The Cynical Sailor!

Purpose of IWSG: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say.

Posting: The first Wednesday of every month is officially Insecure Writer’s Support Group day. Post your thoughts on your own blog. Talk about your doubts and the fears you have conquered. Discuss your struggles and triumphs. Offer a word of encouragement for others who are struggling. Visit others in the group and connect with your fellow writer – aim for a dozen new people each time – and return comments. This group is all about connecting! 

Let’s rock the neurotic writing world!
Our Twitter handle is @TheIWSG and hashtag is #IWSG

Lord of the Flies – a review

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Today’s review post is of a book read for the Insecure Writer’s Support Group (Book Club). I read William Golding’s 1954 novel Lord of the Flies in February, and this is my belated addition to the group’s discussion. This novel was chosen by club members for how the author used symbolism throughout the story.

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Lord of the Flies

by

William Golding

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labelled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable tale about “the end of innocence, the darkness of man’s heart.”

Review 4.5 stars

It’s hard to review a classic that has been around in many ways all my life from novel to screen. My first reaction was that it’s a gritty and a difficult read that may be literary in style, but the messages are there. The beast lives so why should kids be immune to its power? Yes, it could be written in other ways, – and it has been. But I understand the author’s intent (as does Stephen King).

In Lord of the Flies, symbolism is everywhere, from the moment a group of schoolboys are stranded on an uncharted island along an inevitable path to the heart-wrenching climax. As we meet the boys, each one is unique and typical of certain English schoolboys – like myself. Yet each one is an archetype that plays a specific role – none more so than Ralph, Piggy, Jack and Simon. Their distinct appearances add to their character and their roles as symbols.

The early scenes realistically show the boys forming groups, their personalities coming out in how they make friends – and in how they can quickly hurt the vulnerable people like Piggy. Tragic to see that bullying still exists today, although it is more often exposed – perhaps. (I was bullied but never like Piggy is.) However, at an early stage, it seemed that Piggy should be in charge, as the most grounded – the rational symbol of common sense…even if Ralph took that role in survivor’s eyes.

There were vivid images to establish the differences – from the choirboys like black-feathered creatures to the innocent, distracted young’uns. Sometimes, the imagery and description might feel heavily applied, but that can work if the reader lets the complexity carry their imagination to another level.

Golding paints images that show the multi-facets of symbols – like fire being the tool that nurtures society but also destroys. There is a cruel irony in the role that the signal fire plays and how the novel deals with the possibility of rescue.

Simon was crafted as both the hermit and the seer, just as the reader gets the sense that the beast is always real.

It’s hard writing this without spoilers just as it was hard to ignore the memories of Peter Brook’s film as I read, knowing what came next – and I know that the actors’ experiences mirrored the novel. Yet that inevitability as the story unfolds added to the fear that the writing engendered. There’s always that sense of the Lord of the Flies, aka the beast being unrelenting and still alive today. This might have been written in 1954 and a product of an era, and yet we live with the same underlying terrors.

Maybe our self-awareness, as portrayed most notably in Jack, has kept us from stumbling over a precipice and fuels progression as well as dangerous fascination. There is some dialogue at the end that hinted at adults not having the answer. Perhaps there is something in innocence after all.

So, a hard book to enjoy in the entertainment sense, but Golding as a master craftsman does incite a multitude of thoughts. That alone is worth four or more stars.

Story – four stars

Setting/World-building – four stars

Authenticity – five stars

Characters – five stars

Structure – five stars

Readability – four stars

Editing – four stars

 

Is the paw is mightier than the pen?

I have been interviewed by my author friend, Kristina Stanley about my writing and the pets in my life. There were fun questions as well as one that made me think. What do you think?

Discover more about me here: Pens, Paws, and Claws would like to welcome Roland Clarke to the blog!

The Last Wish – a review

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Yesterday, I posted about my favourite A to Z post which was about the game, The Witcher 3: The Wild Hunt. Today, I’m doing a review of the short stories that brought that world of Geralt of Rivia into being. Sadly, although I read a great deal of fantasy, I had failed to encounter the creations of Andrzej Sapkowski – until now.

His first short story, “The Witcher” (“Wiedźmin”), also translated as “The Hexer” or “Spellmaker”, was published in Polish science fiction and fantasy magazine Fantastyka. By 2017, The Witcher series encompassed two collections of short stories (1992-1993) and five novels (1994-1999).

This is my review of the first collection of short stories.

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The Last Wish (Saga o Wiedźminie #1)

by

Andrzej Sapkowski,

Danusia Stok (Translator)

Geralt of Rivia is a witcher. A cunning sorcerer. A merciless assassin.

And a cold-blooded killer.

His sole purpose: to destroy the monsters that plague the world.

But not everything monstrous-looking is evil and not everything fair is good. . . and in every fairy tale there is a grain of truth.

The international hit that inspired the video game: The Witcher.

Review 5 stars

Although I read fantasy, I first encountered Geralt of Rivia in the video game, The Witcher 3: The Wild Hunt and as I explored this gaming world, I was inspired to discover Andrzej Sapkowski’s books – starting with this first collection of short stories.

The last story in the book deservedly took third place in a magazine competition and sowed the first seed that created a universe. I enjoyed these original stories, discovering Geralt’s origins in pre-game events. (And these stories are echoed in-game.}

The collection is assembled to reflect the chronology of Geralt’s life, although we have yet to learn many things – and I look forward to reading more books. Sapkowski creates a brilliant and exemplary framing structure for these stories that gives them more impact – and adds to the unfolding plotlines that I know develop. (This is a writing technique that I need to learn.)

Some amazing and complex characters are introduced, including the sorceress, Yennefer, whose life is woven into a complicated relationship with Geralt that opens great possibilities. And then there is Dandelion, the bard whose tales and exploits are something else amusingly different. These are origin stories perhaps before the Witcher-universe had fully-formed, but the characters are relatable.

The tales are rooted in heroic deeds – even if Dandelion has a habit of re-telling them differently. The author demonstrates that he has been inspired by folklore. However, while the echoed fairy stories have a germ of truth, this is a grimmer tradition than Grimm, in a cutthroat environment. There are the Slavic monsters that a reader might expect but other mythologies play their part, adding to a rich tapestry.

The world rings with the realism of bloody steel and fangs, the smells of soiled streets and tempting food. The era doesn’t feel static, even across so few stories. The times are changing and so are the people. Evolving? Maybe not – but sowing many seeds. This is a medieval world of superstition and persecution – and torn apart by discrimination that resonates today. Witch-burnings are inevitable, and nothing is black-and-white. Not all monsters are obvious or what they seem.

Is my interpretation coloured by exploring the game-world? Perhaps, but these are the roots of the legend that is Geralt of Rivia. I look forward to discovering how the writing evolved, and how the world of The Witcher builds in later stories and novels. This was definitely the place to start on my quest to enjoy how Sapkowski grew from a very good writer into a master craftsman.

 

Story – five stars

Setting/World-building – five stars

Authenticity – five stars

Characters – five stars

Structure – five stars

Readability – five stars

Editing – five stars

#AtoZChallenge #roadtrip 2018

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This year, #AtoZChallenge Bloggers are being asked to pick ONE post from our #AtoZChallenge 2018 offerings and link it up to share.

The Road Trip – #roadtrip – is where bloggers continue to visit each other from May thru March. So, for me, that will be a chance to visit more of the #AtoZChallenge posts that I missed, especially of those visitors who managed the full A-to-Z. I even found some amazing new sites to follow, notably: Song A Day, a great music blog that is expanding my musical tastes (and inspired my 2019 #AtoZChallenge theme).

Plus, this informative folklore website, The Multicolored Diary, by Hungarian storyteller Zalka Csenge Virág, which delves into areas that fascinate me.

Folklore and mythology, as well as storytelling, are tied to many of my #AtoZChallenge posts, even if video games were the starting point.

When I was looking ahead to this road trip, in my #AtoZChallenge: Reflection, I hinted at what might be my favourite post and why, asking, “Will the writing-related research or the gaming-experience lift the award? H is for Hellblade or L is for Lord of the Rings? Or maybe something unexpected.”

Were you taken in by that red-herring?

Did you guess that my favourite post was W is for Witcher?

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Or why? Well, that had less to do with the average number of comments, and more to do with ongoing research into the world that has emerged from The Witcher series of fantasy novels by distinguished Polish fantasy author Andrzej Sapkowski.

There proved to be so much to explore, from a Slavic mythology and folklore tradition that I barely knew to a game that I had only just started – The Witcher 3: The Wild Hunt. That game is my current escape, not least for the Gwent card-game within that fantasy world, but also for its excellent storytelling. As my Thursday Creation Review tomorrow will show, Sapkowski’s first collection of short stories, The Last Wish pulled me into the world of Geralt of Rivia and laid the world-building foundations, sowing seeds that resonate within the games.

Did you rate any of my posts as a favourite?

Are you sharing a favourite of your own on this #AtoZChallenge Road Trip?

Have you found any stand-out posts that we need to read?

If you are on the Road Trip then please be sure to include this phrase in your comments:
“Stopping by from the #AtoZChallenge Road Trip!”

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