Why read?

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It’s February 3rd and time for another Insecure Writer’s Support Group monthly post. I may be Insecure but I’m putting aside the whining and complaining – for a few days at least.

Today I want to be positive and talk about the benefits of reading from a writer’s point of view. And by that I don’t mean just reading what you write, although as writers we should to do that a few times from a reader’s perspective.

For now, I’m talking about other books, not just for the sheer pleasure but for the lessons that we can learn. We can learn what works and what doesn’t from both great reads that keep us hooked from the first sentence, and from those shockers that are an endless struggle. In each novel there should be at least one lesson – even if it’s ‘make sure you use an editor’ or ‘flowing words are like magic’.

So what have I learned over the decades?

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Roger Woddis in 1986 – photo by BG

When I started out on my writer’s journey, my writing tutor, the late great Roger Woddis said that my writing suffered from too much ‘purple prose’. The problem stemmed from my passion for “Lord of the Rings” and the style of J.R.R. Tolkien. I was trying to emulate him without understanding the way that he used language. However, over the decades and with many re-reads, I am learning to see the master at work. And as I read other writers, I see that a writer can effectively use beautiful language without obscuring the meaning.

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The current lesson is about ‘Multiple POVs’, which is relevant since my current WIP, “Storms Compass”, tells the stories of various characters struggling to survive after a mega solar storm devastates the Earth. My critique partner suggested that I look at how Steve Harrison handles multiple viewpoints in TimeStorm”. The POVs each have their own chapter with the character’s name as the title. Each one feeds into the evolving plot, which has me gripped – so a review will follow very soon.  There is a main POV character and the other POVs add to his story.

I could go on, giving examples from books that I have read, but I want to end by directing you to K.M. Weiland, a writer whose website is an invaluable resource, and includes many articles that refer to novels and movies as examples. For instance, I am working through my character’s arcs at present, and she gives some great examples – see: http://www.helpingwritersbecomeauthors.com/character-arcs-3/. This and other articles show the importance of reading other novels. The added bonus is that K.M Weiland writes novels in which she practices what she preaches, from her early novels Behold the Dawn and Dreamlander – both of which I enjoyed – to Storming, which is next on my To Read list.

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And beyond that I may be delving into the real classics like Machiavelli ‘s “The Prince” and the stories in “The Mabinogion“. We can all learn from the master storytellers of the past.

So read on dudes!

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The first Wednesday of every month is officially Insecure Writer’s Support Group day. We post our thoughts on our own blogs. We talk about our doubts and the fears we have conquered. We discuss our struggles and triumphs. We offer a word of encouragement for others who are struggling.

Please visit others in the group and connect with my fellow writers.

Let’s rock the neurotic writing world!

Our Twitter hashtag is #IWSG

And be sure to check out our Facebook group –https://www.facebook.com/groups/IWSG13/

The awesome co-hosts for the February 3 posting of the IWSG are Allison Gammons,Tamara Narayan, Eva E. Solar, Rachel Pattison, and Ann V. Friend! 

 

Friar Tuck and the Christmas Devil – a review

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Time for another review. Yes, just a week after my last one, but then this tasty Tuck-sized treat, “Friar Tuck and the Christmas Devil“, was a novella that I had to keep reading.

This was my introduction to the world of ‘The Forest Lord’ that Steven A. McKay has created, and a perfect one at that – even if Robin Hood, the main character in the books, was only mentioned. But Wolf’s Head (The Forest Lord Book 1) is now a MUST READ.

In this tale, Friar Tuck investigates a series of burglaries committed by the Devil and another fiend. The setting felt accurate and I realised that Steven A. McKay had done a lot of research for his world. But it slotted into the story seamlessly.

The plot was clever, and the Devil faced a formidable foe in the friar. Given the length, the novella couldn’t twist and turn as much as a full-length book, but there was more than enough to get my teeth into – even after Tuck had ate and drank his fill. He’s more than a well-rounded character, and for me there was a bonus in an Foreword by Phil Rose, who played the character in the great TV series “Robin of Sherwood”.

Of course, being set at Christmas there were traditions and festivities adding to the atmosphere, and Steven A. McKay even gives some additional insight into how the season was celebrated in medieval times, in his author’s note at the end.

Nadolig Llawen

Nadolig Llawen. Dymuniadau gorau ar gyfer y Flwyddyn Newydd. Ffrindiau a chyd-awduron, Mai 2016 yn cael ei llenwi â chyflawniadau rhyfeddol.

Now the greetings are pronounced, no doubt incorrectly, I’m not planning to work on any resolutions – either today or next week, when I may be under the tree. What’s the point if my resolutions get scrubbed out in February.

And it’s likely that my other glaring errors will return somehow. As Billy Liar says, “I turn over a new leaf every day. But the blots show through.” [And if you haven’t read Keith Waterhouse’s novel, add it to your reading list.]

Fortunately, in this digital age I have a backspace key, a delete button, a built-in editor, and a conscience, so I can correct some blots on my landscape before anyone realises what I’ve done. One problem: I struggle with the editing process, and I know that 2016 might mean a lot of that.

So what is the point of this blog? Well to thank everyone for putting up with me for another year – and to repeat my earlier Welsh salutation, but in English this time.

Happy Christmas. Best wishes for the New Year. Friends and fellow writers, may 2016 be filled with wondrous achievements.

I should add my blessings for the Winter Solstice, as we are still at that point on this dark winter evening here in Wales. Spring is approaching, I hear.

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Attempting to Blog during NaNoWriMo

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When I realised that Wednesday November 4th was IWSG day and it fell during NaNoWriMo I panicked. How was I going to fit the post in? The easiest solution seemed to be not write anything. Who would miss me for one month? I’ve already began to comment on fewer websites, to manage my time more efficiently. But then I’m following more sites than I did last year. So missing an IWSG post wouldn’t get me blackballed. Would it?

The problem was not just November 4th. I’ve also committed to writing something on here every week, Foolish or challenging? Well, during NaNoWriMo it will be a challenge.

Insecurity: how do I blog during November and do NaNoWriMo? I’m not a multi-tasker like many writers – I’m only a man.

Solution: Write all the posts before November and schedule them. Simple.

It would be… if I hadn’t wasted October – just don’t ask how, or I’ll have to say the Force was with me. Anyway, all I have to do is send in my submission for the IWSG Anthology Contest and then I can re-work my “Fates Maelstrom” character interviews as posts. Finally, rather than post on Tuesdays, I will schedule these for every Thursday.

So that’s the way I’m going to blog during NaNoWriMo. Just don’t expect my usual long-winded comments.

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The first Wednesday of every month is officially Insecure Writer’s Support Group day. We post our thoughts on our own blogs. We talk about our doubts and the fears we have conquered. We discuss our struggles and triumphs. We offer a word of encouragement for others who are struggling.

Please visit others in the group and connect with other writers – aim for a dozen new people each time.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Let’s rock the neurotic writing world!

Our Twitter hashtag is #IWSG

And be sure to check out our Facebook group – https://www.facebook.com/groups/IWSG13/

The awesome co-hosts for the November 4 posting of the IWSG are Stephen Tremp,Karen Walker, Denise Covey, and Tyrean Martinson! 

Cunning Plan or Devious Plot?

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Time to look ahead and maybe concoct something. Now seeing that this is the UK and November 5th is creeping up on us, I was thinking something explosive and controversial. Fireworks?

Well there was a devious plot on 5 November 1605 that might have made headlines, if it was successful. But now it is remembered in a different way than intended. But what would have happened if Guido had succeeded?

On a serious note, our animals would be better off.

However my November is more likely to be more of “I have a cunning plan” – if all unfolds as intended. No I don’t mean the proposed return of ‘Blackadder’, although that could be more than cunning. What do you think??

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Individual screenshots, copyright held by the BBC

No, I mean NaNoWriMo and my chance to recreate “Fates Maelstrom” with my female Goth detective and in Snowdonia. I’ve almost finished the new character profiles and interviews, and there is a new detailed outline – a devious plot that Guido might approve of, and even a cunning plan that Baldrick couldn’t disagree with. And I have a blurb:

“Did Twyla Locke kill her wealthy English grandfather? Is the nineteen-year-old gypsy woman a schizophrenic liar that could kill again? Or is someone impersonating her, in an attempt to destroy her dreams?

Detective Constable Sparkle Anwyl believes the Romani girl is innocent, but her superior, Detective Sergeant Mal Sumnor, thinks that the forensic evidence against her is overwhelming. Why should he believe his offbeat Goth junior? She’s only needed as she understands Romani.

Then American investigative journalist, Brogan Keyes, produces photos that prove Twyla’s innocence. But why is he in the Welsh village of Craig-o-Niwl? Who is he? What is he hiding?

Sometimes the truth can lie hidden in the past, and some ghosts wield power in vulnerable minds. And some people have reasons to fear buried secrets.”

Although I am hoping that my preparations help me in November, I wonder if I can write 50,000 words in a month. Okay, I did in 2011, 2012, and 2013, but last year was a total zero. In 2014 I intended to write “Fates Maelstrom” Mark II but my total was zilch…nada. Perhaps because I hadn’t got my head around Sparkle Anwyl, or because my health intervened. Having just written 43,639 words in 100days – the 100k in 100 days Challenge – I know my limits, although that was all done ‘pantster’ style.

Or is the secret in the planning stage?

There are some good guides to that stage out there, like this one by Janice Hardy, who says for instance:

“If you like to outline, you might break down your 12,500 words into chapters to get a feel for pacing and structure. To hit your 50K-word mark, you’ll need to write 1667 words a day, so let’s say you’re aiming for a chapter a day. That would give you 30 chapters at the end of the month, a reasonable amount for your average 60-80K novel.”

So what’s my problem? Did Guido achieve anything? Would Baldrick do better?

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What lines set you alight?

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I was going to blog about ‘A world without William Shakespeare’ but the prospect was too horrendous – even if Christopher Marlowe hadn’t been killed so young.

Did that line grab you, or turn you livid with anger?

How important to you is the first line of a book? I admit there have been some great ones. My favourites, and I read these decades ago, are:

There was a boy called Eustace Clarence Scrubb, and he almost deserved it. — C. S. Lewis, The Voyage of the Dawn Treader (1952)

It was a bright cold day in April, and the clocks were striking thirteen. – George Orwell, 1984 (1949)

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But such lists are open to debate, and trying to pick favorites can be a challenge.

Getting that opening right, finding the right words, choosing the moment to start that is the question. Whether ’tis nobler in the mind to suffer – that’s wrong, although as writers we can suffer.

At the moment, my mind is on openings, partly as I have taken on some beta reading, but also as I am struggling with my own opening line:

“Their eyes stared at Twyla without emotion and followed every move that she made up or down the stairs.”

The real question is – what makes you read on? The opening line or paragraph? The cover and blurb? Reviews?

I can remember days past when I went into a bricks & mortar bookshop and flicked through real books. Aah that smell. I started with the cover and blurb, then sampled the opening, and even flicked further on. Harder of course with e-books, but sampling is an option so I read as far as I can. To me a novel is more than a memorable first line.

Do we stop at “Who’s there?” or tarry longer with the Groundlings?

So what hooks you? What is your favourite opening? Can you envisage no Shakespeare?

Midnight Hamlet at The Globe by TheFella on Flickr

Midnight Hamlet at The Globe by TheFella on Flickr