#IWSG – Hero or Villain POV?


Created and hosted by the Ninja Captain himself, Alex J. Cavanaugh, the Insecure Writer’s Support Group monthly blog post is here again – and so am I.

It’s been another bad month and my plans to develop and focus on Fevered Few, my NaNoWriMo novel were derailed so I am no longer sure about the track to publication. I am wondering if attempting to find a publisher for my second novel is realistic or whether I would be better to merely blog my scenes over an indefinite period.

 I will be posting the opening to another Sparkle Anwyl mystery for the WEP/IWSG Challenge next month as well as a separate Sparkle Anwyl case during the Blogging from A to Z Challenge in April. Perhaps that is the way forward for my fiction writing rather than attempting to edit a novel – like Fevered Few – for submission to a small press.

What would you suggest that I do? Blog posts or publication?

Much of my writing problems are due to my health. During the last few weeks, it has become harder to type as my left hand is cramping up – like forming a claw. One of my solutions is training a dragon – Dragon Naturally Speaking. This post is my first using the dictation software. Apologies therefore for any errors in this trial run which the dogs are constantly interrupting.

Bark-bark. Woof-woof.

Anyway, on to this month’s question.

March 6 question – Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

Most of my writing is from the hero’s point of view but I have written from the villain’s perspective a few times.

My current WIP is from the POV of Sparkle Anwyl, my Welsh detective protagonist. However, some of the chapters within other draft novels have been written either from the villain’s perspective or from the POV of a shadowy and unclear character. I haven’t yet had to get inside the mind of a darker antagonist as these characters have been more misguided or conned by their own self-belief.

What about your favourite perspective? Hero or villain?


The Welsh Dragon, Mametz Wood Memorial

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The awesome co-hosts for the March 6 posting of the IWSG are Fundy Blue, Beverly Stowe McClure, Erika Beebe, and Lisa Buie-Collard!

Purpose of IWSG: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say.

Posting: The first Wednesday of every month is officially Insecure Writer’s Support Group day. Post your thoughts on your own blog. Talk about your doubts and the fears you you have conquered. Discuss your struggles and triumphs. Offer a word of encouragement for others who are struggling. Visit others in the group and connect with your fellow writer – aim for a dozen new people each time – and return comments. This group is all about connecting!


Let’s rock the neurotic writing world!


Our Twitter handle is @TheIWSG and hashtag is #IWSG.

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 

Remember, the question is optional! 

The Pearl Thief – a review

When I was compiling my list for the 2019 Cloak and Dagger Challenge, I missed off a number of books including Elizabeth Wein’s The Pearl Thief. As Wein’s Code Name Verity was my top read in 2018, I was looking forward to reading this prequel. Well listening to what was my first Audible novel, though not my first audio book.

I’m now listening to another Elizabeth Wein novel – Black Dove, White Raven – but back to the review of my sixth read for the Challenge

The Pearl Thief

(Code Name Verity 0.5)

by

Elizabeth E. Wein

Before Verity . . . there was Julie.

When fifteen-year-old Julia Beaufort-Stuart wakes up in the hospital, she knows the lazy summer break she’d imagined won’t be exactly like she anticipated. And once she returns to her grandfather’s estate, a bit banged up but alive, she begins to realize that her injury might not have been an accident. One of her family’s employees is missing, and he disappeared on the very same day she landed in the hospital.

Desperate to figure out what happened, she befriends Euan McEwen, the Scots Traveller boy who found her when she was injured, and his standoffish sister Ellen. As Julie grows closer to this family, she experiences some of the prejudices they’ve grown used to firsthand, a stark contrast to her own upbringing, and finds herself exploring thrilling new experiences that have nothing to do with a missing-person investigation.

Her memory of that day returns to her in pieces, and when a body is discovered, her new friends are caught in the crosshairs of long-held biases about Travellers. Julie must get to the bottom of the mystery in order to keep them from being framed for the crime.

In the prequel to Printz Honor Book Code Name Verity, this exhilarating coming-of-age story returns to a beloved character just before she learned to fly.

Review 5 stars

After I was bowled over by the brilliance of Elizabeth Wein’s Code Name Verity, I enjoyed re-connecting with the memorable Julia Beaufort-Stuart – albeit when she was fifteen.

This is a different genre – a mystery and coming-of-age story that my wife and I listened to engrossed. This was our first Audible book and the narration by actress Maggie Service was excellent, bringing to life the characters.

The mystery begins when Julia wakes up in hospital and realises that her injury might not have been an accident. Desperate to figure out what happened, she befriends Euan McEwen, the Scots Traveller boy who found her when she was injured, and his standoffish sister Ellen. As Julie grows closer to this family, she experiences some of the prejudices they’ve grown used to first-hand, a stark contrast to her own upbringing, and finds herself exploring thrilling new experiences.

Wein artfully weaves pearl gathering in the river and a missing-person investigation into Julia’s evolving relationships. Facts are slipped into scenes in subtle ways, and the author even adds a useful addendum about Pearls and Travellers at the very end. Wein always strikes me as a writer that does her research and knows how to knit it into a tale – as she does here.

The characters were distinctive and grew over time, not just as their layers were unpeeled but also by their interactions. For instance, the complex relationship between Julia and Ellen grows from social divide to mutual understanding and deep friendship. Others grow from their shells or achieve deserved recognition in a similar way.

The Scottish setting echoed my own time there, especially along stretches of riverbank. And some of the prejudices were familiar from the class world I know.

By the end, the mysteries – yes, there I far more than one- have been solved in unexpected ways. For me, some seeds had been sown that foreshadowed Code Name Verity – subtle and poignant.

An excellent listen – and another memorable character.

Story – five stars

Setting/World-building – five stars

Characters – five stars

Authenticity – five stars

Structure – five stars

Narration – five stars

Editing – five stars

Rebecca – a review


I was unsure whether I could count Daphne du Maurier’s Rebecca as my fifth Cloak and Dagger read of 2019, but at least it is the February/March book for  The Insecure Writer’s Support Group Book Club group so I can tick that off.

Then, I read the word ‘mystery’ in a description of the book.

Rebecca

by

Daphne du Maurier

Last night I dreamt I went to Manderley again…

The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady’s maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives–presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave. 

First published in 1938, this classic gothic novel is such a compelling read that it won the Anthony Award for Best Novel of the Century.

Review 5 stars

This was a classic that I thought I had read, but I hadn’t. Now I’m glad I did as it’s memorable and worthy of multiple reads.

Although the novel is described as gothic – and by some as a romance – for me it was also a mystery. Its style by today’s standards might be called dated and yet it was ahead of its time – as was the author.

Much of the narration is as chunks of description mixed with reflection and conjecture by the un-named protagonist living in the shadow of Rebecca. In comparison with the title character, this new Mrs de Winter seems naïve, powerless and at the mercy of others. At first, it would be easy to dismiss her – even the novel – without giving either a chance…without understanding the heroine or the shy author.

I grew up in a world not dissimilar to Manderley, albeit one that had lost its glitter but not its attitudes. I felt myself intimidated by scary and overbearing people – especially when I did something wrong. Society and doing the right thing frightened me.

Especially when such amazing people as Rebecca were being fawned over.

Rebecca may be the deceased wife of Maxim de Winter, but she pervades the story, the house and the grounds. She’s on everyone’s lips. It’s a clever device making her so dominant, giving the novel her name, and naming her, not the protagonist. And it works. The reader is fooled along with the new Mrs de Winter into believing the myth – until the doubts appear.

Mrs Danvers, doth protest too much, methinks. She is the archetypal retainer that creates fear and doubts. Rebecca haunts Manderley in one way, Mrs Danvers in another – a brilliant creation, reminiscent of other classic scary presences. A living vampire?

All the characters are distinctive. All reminded me of people I had met – even worked with. The mannerisms felt familiar, whether Beatrice, the loquacious sister, or Frank Cawley, the faithful agent for Manderley. Even Maxim de Winter was real with all his faults and guilt buried.  

If I had to befriend just one, it would be Jasper. The dog? Yes, the faithful exuberant spaniel.

One other character enfolds the novel – Manderley. The house becomes character, atmosphere and setting. At first magnificent and untouchable with buried secrets. Manderley fills the narrator’s thoughts, not just the house but the gardens and the sea coves. As the protagonist’s thoughts change so do the descriptions of setting, of home, of the weather, of the vegetation. Or is it vice versa? The weather changes and then her thoughts?

But they are all one, interacting as the plot unfolds – setting and thought and events. The past even before Rebecca. Even before Manderley. The sea and the fog.

Cliffhanging language that I need to immerse myself in again.

Story – five stars

Setting/World-building – five stars

Characters – five stars

Authenticity – five stars

Structure – five stars

Readability – five stars

Editing – five stars

Ten Minutes Past Teatime – a review


This is the first post written with my new ‘one-handed’ keyboard – well, smaller than my UK-bought one so easier to use when my left-hand cramps and claws. Just need to adapt to its idiosyncrasies.

On to my review of a short story that a writer I follow sent her subscribers.

Ten Minutes Past Teatime

by

Elizabeth Chatsworth (Goodreads Author)

Please note, this is a short story/novelette.

A Victorian spinster-scientist and a Viking shield-maiden find passion and danger in dark-age Ireland.

1896: Forty-three-year-old scientist Miss Minerva Minett is determined to become the first female member of an exclusive inventor’s club. To win their annual membership competition, she invents a time-traveling submersible, and launches her vessel into the Irish sea for a quick trip to the dark ages. But when she sinks a Viking longship, accidentally joins a monastery raid, and falls into the arms of a grizzled shield-maiden, she discovers that time may not be on her side.

Review 4.3 stars

This entertaining steampunk short story had me amused and entertained as forty-three-year-old Victorian scientist Miss Minerva Minett attempted to become the first female member of an exclusive inventor’s club, by launching her time-traveling submersible into the Irish sea for a quick trip to the dark ages.

From the amusing opening through her encounter with the grizzled shield-maiden, Alfhild to the twist at the end, I chuckled at the inventive mind of Minerva and her creator.

The experiments and inventions were as memorable as the characters, including the one that delivered the twist at the end. Being steampunk, I expected alternative history, so I won’t over-judge the authenticity beyond wondering about some oddities such as a misplaced dragon-head.   

The romance between Alfhild and Minerva is a bonus with neat contrasts across cultures and time. And with a name like Minerva, there had to be goddess references.

Alfhild was the true goddess, not she. Or maybe they both were?

It was a thesis she would have to explore in more detail. For the sake of science.

But the humour is always there.

Minerva cocked her head. Surely, she didn’t hear the word goldfish in the chorus? “ . . . Minerva’s Magic Goldfish. Answers every sailor’s wish . . .” Oh, dear.

A fun read, although short.

Story – five stars

Setting/World-building – four stars

Characters – five stars

Authenticity – three stars

Structure – four stars

Readability – five stars

Editing – four stars

The Emotion Thesaurus (Second Edition) book launch

As writers, we all have our favorite writing methods.  For instance, some swear by Scrivener, while others write in Word or Google docs. Some prefer to draft longhand, using colorful gel pens and notebooks.

Most of us have a favorite writing book (or ten), too. These books have helped us understand storytelling better, demystifying certain aspects of writing. Well, today I’m taking part in welcoming a new writing guide into the world: The Emotion Thesaurus (Second Edition).

You may have heard of The Emotion Thesaurus before, or even have a copy as I do – a well thumbed copy. The original’s lists of body language, thoughts, and visceral sensations for 75 unique emotions made brainstorming character expressions and reactions so much easier. It quickly became a bestseller.

Now, there’s a bigger, better second edition. Angela and Becca have added 55 NEW emotions such as Euphoria, Vindicated, and Schadenfreude. (And that’s not all that’s new, either…the book is almost twice the size as the original.)

Anyway, if you’re interested in checking it out, you can read some of the reviews on Goodreads or find information here.

One more thing to tell you about…are you ready for this? 

GIVEAWAY ALERT!

Wish you could attend a free writing retreat, go to a conference, snag a seat at a workshop, or have your professional membership to a writing organization paid for? Of course you do! 

Well, at Writers Helping Writers, one lucky winner will get one of the above, up to a $500 US value.

This is the giveaway of a lifetime, so hurry over to enter!

#WEP/IWSG February 2019 challenge – 28 Days

My #WEP/IWSG post for February is part of the 2019 WEP/IWSG Challenge and the conclusion of the incident from my Halloween/Deja Vu or Voodoo postWhite Lady. and my December Ribbons and Candles post, Rushlight Wreathes.

However, this is not the only incident in the career of Sparkle Anwyl that unfolds in Fevered Few, Book 1 of the Snowdon Shadows police procedural series. I m.ay return to Wales for future WEP/IWSG entries but I need o avoid spoilers – at least in relation to the main plot 

Pongal Blood

Dark brown splatters.

Shivers tease me. Blood can signify crime, accident or nature.

The spots on the kitchen counter would have been suspect at a crime scene. A reason for luminol spray and light. But no weapon. Not even a knife. A wooden love spoon bears witness on the wall.

It wasn’t me – even in our bathroom where Kama has heightened my sense of cleanliness.

My time of the month was as cyclical as the moon, but work stress has played games with it. Kama is more constant. Does meditation help her? Is that why she is now in our garden staring at the sun?

Clues are on the counter.

By her head movement, Kama hears me open the garden door onto the small paved area where she has traced the auspicious kolam design in white lime powder in the early morning after bathing.

She continues her ceremony, raising her face to the sun, then bending to our makeshift firepit.

The fragrance of rice and milk wraps around me. Chakkara pongal preparation. The golden jaggery stains were the main clue – and the empty package from India.

I squat beside her. She is dressed in a simple saree and blouse with face and arm markings – more traditional than my black trouser suit kameez.

The earthenware pot of milk has boiled and overflowed, so Kama has added the rice, even if the harvest that the sun made possible is the one back in the Southern Hemisphere, in Tamil Nadu.

#

“Our colleagues at CID may not recognise Pongal,” says Kama zipping up her leathers, “But they respect our days-off.”

“Until some serious crime intervenes. Let’s escape while we can.”

A fifteen-minute ride out beyond Prenteg, takes us to a well-maintained farm track off the B4410 leading to some modernised farm buildings with a restored farmhouse.

We park the Ducati and Ninja beside a spotless 4×4 Mitsubishi Shogun.

Raimund Virtanen is working on a chassis with an arc-welder but hears us approaching as if he has super-hearing. Weird for a coachbuilder.

He removes the helmet revealing blond hair and blue eyes. Six foot three inches and strongly built. I estimate mid-forties.

“You are the two Heddlu with a carriage mystery – intriguing-like. Come inside and we’ll talk.”

The farmhouse kitchen is a modern and expensive take on a traditional Welsh one. It reminds me of my grandparents’ home except this one looks as spotless as the Shogun. Does this man eat or drive? Our roads aren’t dirt-free, and the salt-laden air can coat things.

“How do you partake of your tea or coffee, ladies?”

“Two black coffees, please.”

I can’t place his accent. Not one that tallies with those foreign visitors I’ve met on the streets of Porthmadog.

“We were wondering if you can identify a vehicle from a local painting – puzzling as it’s the reflection in a mirror.”

He takes the printout and studies it under a magnifying glass for a few minutes.

“This is a phaeton, I’m sure. Drawn by one or two horses, a phaeton features a lightly sprung body atop four extravagantly large wheels. With open seating, it is fast and dangerous, so its name, drawn from the mythical Phaëton, son of Helios, who nearly set the earth on fire while attempting to drive the chariot of the sun.”

“A common carriage?”

“Not around here. There weren’t many made locally. Ten at most – more like half that.”

“Do you know who owned them?” Kama clutches the group painting but holds it back. “Locally, for instance?”

Virtanen goes to a filing cabinet and removes a folder. “This is a list that I compile of vehicles that I trace – not many but a few notable ones like Captain William Yong. He raced other owners and win – for money.”

“And he lived locally? Do you know what he looked like?”

The carriage expert throws up his hands and shrugs. “I only know he lived in Porthmadog and marries into a Tremadog family – make his fortune by investing in his in-law’s business. No more. Why are the police interested?”

“More our personal interest.” The compelling urge to confess is too much for me. “More like ghost-hunting. We encountered a female figure on Halloween that might have been killed in a carriage accident.”

“This phaeton crashed? Unlikely if Captain Yong is driving – he has a reputation as an expert at ‘Hunting the Squirrel’. Side-swiping a rival’s carriage requires certain accuracy.”

Accuracy needed to hit a fleeing lover.

“A pedestrian was hit at night,” Kama says. “No headlights I presume back then. So accidental – perhaps.”

“Agree. The horses won’t have seen someone crossing a dark road – until they crush the poor woman,” His expression is tortured. “Back home…I am knocked over by horses as a child…and savaged bad. Hooves are strong and sharp, especially with shoes. I hate to think of your woman’s injuries.” He hesitates. “If you see a ghost – the horses killed her. Back home that will be blame on the animals – punishment.”

“Back home?” asks Kama who shares my curiosity.

“I grow up in rural community – in Finland. Many years ago. Poor – so I move here as I want to learn to build vehicles like horseboxes – to help them. I call this ‘reparation’ – my making terms with the past and moving on. Do we know the woman’s name?”

There seems to be no harm in telling him. “Dinah Quinlan.”

“Strange matter that I will not forget. Blood is easy shed.”

He escorts us back to our bikes.

Is our cold case closed? Until anything new emerges.

#

The moon is full when we celebrate the last day of Pongal.  My arm around Kama, I’m oblivious to the calendar with the four days in mid-January highlighted.

My mind is on November 1836.

 “That old nineteenth century painting indicts Captain Yong for murder – four weeks before he married his victim’s sister. The artist knew the truth.”

***

Word Count 999: MPA

For more information on the Pongal Festival visit: http://www.pongalfestival.org/

Comments are welcome as usual, but for the WEP/IWSG Challenge, the following applies:

(FCA welcome – if you want to send one, just let me know in the comments.)

Please enjoy other participants’ entries in the Challenge via this list for which the links will be updated as the post appear: https://writeeditpublishnow.blogspot.com/